dc.contributor.author |
Pickering, Kenneth |
|
dc.date.accessioned |
2019-05-21T05:22:41Z |
|
dc.date.available |
2019-05-21T05:22:41Z |
|
dc.date.issued |
2005 |
|
dc.identifier.citation |
© Kenneth Pickering 2005 |
en_US |
dc.identifier.isbn |
1–4039–3210–7 |
|
dc.identifier.uri |
http://hdl.handle.net/123456789/1285 |
|
dc.description |
This is not another book of drama theory: there are plenty of those
and some are unspeakably dull. However, the theory that underpins
practice will be evident |
en_US |
dc.description.abstract |
The aim of this book is to provide you with an informative and accessible
guide to the study of drama and performance and to equip you with
an appropriate vocabulary for discussing these areas of human activity.
I hope, also, to be able to demonstrate the inter-relatedness of the
concepts that are key to understanding the subjects |
en_US |
dc.language.iso |
en |
en_US |
dc.publisher |
PALGRAVE MACMILLAN |
en_US |
dc.subject |
The structure and content of this book |
en_US |
dc.title |
KEY CONCEPTS IN DRAMA AND PERFORMANCE |
en_US |
dc.type |
Book |
en_US |