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A. C. Bradley as a Critic of Shakespearean Tragedy

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dc.contributor.author Britton, John
dc.date.accessioned 2014-11-28T00:15:08Z
dc.date.available 2014-11-28T00:15:08Z
dc.date.issued 1960
dc.identifier.citation Chicago: Loyola University, 1960 en_US
dc.identifier.uri http://hdl.handle.net/123456789/353
dc.description.abstract A.C. Bradley put Shakespeare on the map for generations of readers and students for whom the plays might not otherwise have become 'real' at all" writes John Bayley in his foreword to this edition of Shakespearean Tragedy. Approaching the tragedies as drama, wondering about their characters as he might have wondered about people in novels or in life, Bradley is one of the most liberating in the line of distinguished Shakespeare critics. His acute yet undogmatic and almost conversational critical method has—despite fluctuations in fashion—remained enduringly popular and influential. For, as John Bayley observes, these lectures give us a true and exhilarating sense of "the tragedies joining up with life, with all our lives; leading us into a perspective of possibilities that stretch forward and back in time, and in our total awareness of things." en_US
dc.language.iso en en_US
dc.publisher Loyola University en_US
dc.subject Tragedy en_US
dc.subject Shakespeare critics en_US
dc.title A. C. Bradley as a Critic of Shakespearean Tragedy en_US
dc.type Book en_US


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